Results tagged “copyleft”

Two more great events (one past, one future)

Still cleaning out my inbox from a couple weeks on the road (and a few hectic weeks in general!) and ran across these goodies...

The Social Entrepreneurship Summit that was held on Dec 3-4, 2007 at the Centre for Social Innovation and the MaRS Collaboration Centre has posted the event proceedings online. Sounds like they've received some good feedback on the event, and there's momentum to keep it moving forward.

I wasn't able to make the event personally -- had to bail at the last minute (sorry!) -- so it's great to be able to skim through the presentations and some of video and photos from the event.

They close off their event summary with these helpful pointers:

Several members involved in organizing the Summit met recently to highlight some opportunities for action coming out of the Summit. We would like to direct you to the following areas of interest:

Next up... the announcement for Copy Camp 2. The fearless team is back "after a long Winter watching the polar cap melt, and waiting for Copyright Reform." And have announced the date of April 29 and 30 for the next event in Toronto.

The talented Patrick Dinnen will take my spot on this year's CopyCamp organizing team.

The announcement continues:

The CopyCamp Team has been reviewing the input we had from you during and after CopyCamp in September 2006. We're making some changes, but sticking to the unconference mode, and expanding the role of the wiki.

We are open to new ideas, and looking forward to your contribution as participants and volunteers.

Meanwhile, we have put together a digest of the debates we had at CopyCamp. (Summary in French pending.) You can see it on the web site at http://copycamp.ca/copycamp-2006-digest-0.

Stay tuned and be involved. More news soon!

The CopyCamp Team, http://www.copycamp.ca/

Enjoy!

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If we are unwilling to identify the thieves, we can never end the theft.

The days that we can continue to pretend, despite all evidence to the contrary in a world of rapidly increasing wealth stratification, that mankind will anyminutenow be emancipated by Ubuntu, Wikipedia and Facebook are over.

Just getting caught up on e-mail after two weeks on the road and ran across this enjoyable essay by a friend and colleague Dmytri Kleiner.

Regularly readers will recall that Dima and I penning an article on free software together some years ago, and that Dima is part of the team behind Dailstation.

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Copyright and creativity: bringing two worlds together

CopyCamp

For the past few weeks, I’ve been excited to announce what is sure to be one of the most dynamic conversations about copyright this year. Planning for the event really got under way in June, with the addition of several new team members, and has been racing forward at a break neck speed every since. With only six weeks to go until the event, we’re all anxious to get the word out and to get your ideas, suggestions, participant recommendations, and commitments to being there. Here’s the key info:

  • Who will be there: people are confirming their attendance every day and it’s turning out to be an incredible list of people working in the arts, new media and technology, activists, and scholars (and a few beaurucrats). Just a few of the names that I can remember (and am excited about) are: Mark Hosler from Negativland, Michael Geist, and dub poet Lillian Allen.
  • What to expect: The event will merge together the best things from unconferences, Open Space facilitation, and several of the quirkier convening approaches that Misha Glouberman is known for. Expect small groups, hands-on skill shares, unusual formats, inspiring conversations, and something to write home about.
  • When is the event? When is the Wiki going to be online? The event is at the end of September (28th - 30th) and the Wiki should be online in the next two weeks. In addition to the wiki, we’re going to try some pre-event guest blogging and interviews to get the conversation started early.
  • Where is my royalty payment? Yes, indeed, where is it? No, seriously, this event is going to show you where it is — now, and in the years to come — it going to open that conversation up and hold a big magnifying glass in front of it. This event aims to explore the new models of creativity, creation, and compensation in the age of the Internet.
  • Why is this conversation important? Frankly, I was skeptical at first. This is the land of holy wars: copyright vs. copyleft. But Susan Crean is 110% genuine in her commitment to bringing together a diverse group of creators — people working in a variety of mediums, at different stages in their careers, and from different backgrounds — to have an honest, creator-to-creator, conversation about what the future of cultural production and distribution looks like.

So, as you can tell, this all has me very excited. After the (surprising) interest in the last copyright/copyleft event that I volunteered to organize earlier this year, I can only imagine what a serious event like this — with some resources and a bit more time — might achieve.

CopyCamp will take its cue from other unconferences, like FooCamp and BarCamp, and will add in a few elements of traditional (and less traditional) convening. It will be an intentionally hybrid event. And I expect that it will weave together some of Dave Pollard’s insight into “how to unconference” with the quirky magic of events like Trampoline Hall. Many aspects of the event’s format is being developed by veteran host Misha Glouberman, so it’s sure to be fun, chaotic, and to flip the expected on its head (in fact, I’ve already heard reference to a “Twenty Ideas You Didn’t Know You Were Interested in” session).

I was speaking with Misha last Tuesday and, over the next couple of weeks, we’re going to try to get the entire schedule into the Wiki — in a form where participants can have some impact on the actual logistics of the sessions (e.g.,: “Hey! How can you have session X at the same time as session Y? I really want to got to both… so I’m just going to move things around a bit”). All I can say is it’s going to be the most interesting event about copyright, and being a creator in the zero-decade, that I’ve ever been to. And, if you’re in Toronto — or able to make it here — I hope you can be there too.

Have ideas? Please send them directly to the CopyCamp team here.

Comments

4 Comments

I hope it is a successful event, It looks like it will be great!

Patrick, who are you calling Holy-Warrior?

The chicken has posted some thoughts - all in good fun. Once again, I wish you and your fellow organizers a successful event.

Bryce

Pure genius

Okay, okay: so I’m a sucker for compliments. But, honestly, that video is hilarious! You are a talented man, Mr. Bryce.

Oddly enough, I can’t tell you how many times the name “CopyCamp” was confused for CopyCat, which was not entirely unplanned or unintentional — and is somewhat apropos for an event that wants to explore the (often thought to be boring) topic of copyright, digital rights management, and creativity in the digital age.

There has been some confusion about the event pricing, which I know the CopyCamp team will work hard to clarify in the coming weeks. Also, some folks have been asking about who is coming and — as the event was only announced recently and registrations are just starting to flow in — I'm also going to start publishing a list of confirmed participants as soon as we can I've just published a list of the first bunch of confirmed participants. (yah, I know: use a Wiki!).


However, you hit the proverbial nail on the head with your keen observation about the ratio of layers to artists/activists being about 1-to-6 (right now, it’s probably about 1-to-36!). Far from “a weird mix,” the participant mix is seen by the CopyCamp team as key to exploring the role of copyright in the context of being a creator, and in the context of Canada (vs. Toronto). One of the early intentions set by Susan was to ensure that the voices of the people who are actually creating — creating art, content, and our cultural fabric — are the ones that are heard, and the ones that are able to be heard by each other. Artists struggle — and too often against each other — with the tension between intellectual property and fair use or fair dealing. Often, it appears that the only ones that win are the corporate interests that sit between creator and consumer, the ones that control the channels of distribution.

So, let it be said — although Bono won’t be there — I'm pretty sure that CopyCamp will ensure that:

  • This event (that is somewhat about copyright) is unlike any other event about copyright;
  • The voices represented are ones that may not have had the airtime they deserve before;
  • The people who need to be there — from near and far — are supported (financially) in getting there;
  • The participant mix is weighted heavily toward the “creator”;
  • Enough is learned from this experience to make the event even better in the future!

And, if you do want to come (for less than $700!), please have a look at where we need help at the event! Of course, you’d have to promise to bring that big DemoCamp clock.

Thanks again Bryce: just the laugh I needed at the right time. :-)

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